Layout Image

Archive for Adult Tours

Hollywood Stars on Broadway this Season

Friday, August 31st, 2012

Last week, I told you about some of the new musicals set to open in New York City this season… this week we turn to the plays!  Producers often cast Hollywood stars to help draw a greater audience to the typically less box-office-busting plays compared to the over-the-top-musicals next door.  While this might sound like a casting stunt to sell tickets – and let’s face it, sometimes it is – it often can be an opportunity to see some of your favorite actors from the big screen in a much more intimate setting. Some of the big names you can see up close and personal this season include, Al Pacino, Katie Holmes, Paul Rudd, and more…

I’ll start with some classic revivals coming back to Broadway.  Cyrano de Bergerac staring Tony Award winner Douglas Hodge, comes to the American Airlines Theater.  I am always up for a comedy – and as I remember watching a movie version of this classic years ago, I am looking forward to seeing this great cast bring the story back to the stage.  (Performances begin September 14th for a limited run through November 25)

Edward Albee’s Who’s Afraid of Virginia Woolf? is widely regarded as one of the greatest plays of the 20th century.  50 years to the date after its original Broadway opening, this American classic returns to the Great White Way.  The Tony Award winning play focuses on the tense and sometimes hilarious crossfire marital war between a college professor and his wife. Presented by the famed Steppenwolf Theater Company, the production will run at the Booth Theater.  Personally, I do all I can to avoid conflict, but I’m more than willing to watch the conflict of others from the comfort of my seat in a theater! (Performances begin September 27th) You might not recognize the cast as big stars from the silver screen, but the Steppenwolf ensemble is truly one of the greatest group of actors in the country.

Speaking of stars… Al Pacino will light up the stage in David Mamet’s Pulitzer Prize winning play Glengarry Glen Ross this fall, in which we follow the lives of four real estate agents over two days as they stop at nothing to make the sale and win the game between them. Sounds very New York to me!  (Performances begin October 16)

Paul Rudd, one of my favorite film actors – known mostly for his comedic work as of late – will lead the new dramatic play, Grace.  It centers on a couple as they begin a new life in Florida with plans to open a chain of Gospel motels. (You had me at Gospel motels!!) The wonderful Ed Asner is also a part of the small cast of what is being called an ‘intensely entertaining and suspenseful journey’. I can’t wait to see it. (Performances being September 13 for a limited run through January 6)

The newly single Katie Holmes will be on Broadway in the new Theresa Rebeck comedy Dead Accounts with Tony Award winner Norbert Leo Butz (Catch Me If You Can, Wicked, Dirty Rotten Scoundrels).  It is a story of a brother and sister with a 27 million dollar secret that turns their unexpected reunion upside down.  Full disclosure, I think I will always have a crush on Katie Holmes, and Norbert Leo Butz is just a powerhouse in my book, so I’m looking forward to seeing them on stage together this fall.  (Performances Begin November 3)

One thing to remember when considering bringing a group to see a show featuring a big Hollywood star:  typically, the actor or actresses run is short – and even more so if they are currently preparing to film a movie or are on a television show. For example,  Jim Parson’s appearance in Harvey was strictly a summer run because he had to return to Los Angeles to film his TV show The Big Bang Theory.  If you are interested in seeing a particular star turn on Broadway, do check the dates carefully!

Turning away from the stars… two of my favorite shows of this past season were Once and Peter and the Starcatcher, both of which I saw Off Broadway before their transfer to larger Broadway stages. Off Broadway shows can be a great way to see new theater at a fraction of the price – and you never know… what you see may just be the next big show of the Broadway season.  Next week, I’ll talk about a few exciting Off Broadway shows coming up this season which are ideal for groups coming to New York City!

- Patrick Lynn, Managing Director of Group Travel (and Katie Holmes stalker)

Group Tour Planning with Confidence

Saturday, August 11th, 2012

Let’s face it, when it comes to student travel, we are all aware that cost is one of the most important issues – now more than ever.  It’s easy to get excited by a brochure that offers your group 5 days in New York for $995, or a week in London for $1299 (both offers I have recently seen), but when you look beyond those headlines, any other offer that seems a little too good to be true probably is. Regardless of where you are considering traveling with your group, or what type tour you are planning, there are a number of questions that I always recommend you ask:

  1. What hotel are we staying at? If you are not familiar with the hotel, ask about its location. Staying in New Jersey, or the Garment District, is NOT the same as staying in the heart of the theater district or by Lincoln Center. Often tour operators will promise you will be staying in a “centrally located 3-star hotel”. What does centrally located really mean? What does 3-star really mean?  I would never book a group tour without a written guarantee of the specific hotel in which my group will be staying. If you are dealing with a tour operator who can’t provide you with that kind of guarantee – find someone else to help you.
  2. What shows are we GUARANTEED tickets to? What is the location of those seats?  One of the biggest factors in pricing a performing arts tour is the location of seating and selection of specific performances. Can your tour operator guarantee, in writing, that you have tickets to your preferred shows? Can they tell you what area of the theater your seats are in?  There is a huge difference in hearing “We have confirmed seats in the Orchestra for West Side Story and 33 Variations with Jane Fonda” and “Tickets to One Broadway Musical, One Broadway Play.” The most common complaint we hear from teachers is that before working with us, they often did not get to see the shows they requested, or they did not get the type of seats they expected.  A reputable tour operator will tell you what they can guarantee, and what is pending.  It is not unusual for a tour proposal to leave some for future confirmation, especially when it comes to performance tickets.  New shows are announced all the time, and shows sometimes close before anticipated.  That being said, a tour operator should always be able to guarantee the category of seating your group will receive, even if you may choose your shows at a later date. Never accept a tour itinerary that says “tickets to 3 Broadway shows.” Find out: what shows (when possible), what type of shows if the specific shows are not yet confirmed (because musicals are typically more expensive than plays, opera tickets are more expensive than tickets to the ballet, etc.); and always get a guarantee of the seating locations/price category or you may be in for an unwelcome surprise.
  3. How many and what day tours are included as part of the program? Many brochures list multiple sights and neighborhood tours as being included in a tour program when in fact, it would be impossible to tour all of them in a few days.  Others indicate ‘visits’ to neighborhoods which really aren’t really tours at all. Make sure you have complete control over your day tours, and that your tour coordinator is willing to work with you to customize your program based on your interests.  You’ll quickly find that when you start customizing the pre-priced packages offered by some companies, they aren’t quite the bargains that they may have seemed to be!
  4. Ask for what you want! Remember that it is your tour.  You should work with a tour operator who is willing to bend over backwards to make your program an incredible experience for your group. But… BEWARE of a tour operator who blindly says that anything is possible. Look for a tour coordinator who knows your destination well enough to give you a realistic sense of how much you can see during your stay, and how long it takes to get from place to place.  It is one thing to make your tour ‘action-packed’; it is another to try to do too much and not really have a chance to enjoy any of it!  Find a tour coordinator that you are comfortable discussing your preferences with, and who can offer you options that fit within your budget.
  5. What will give you peace of mind?  Planning a tour for your group is a big responsibility. First and foremost – find a company and a tour coordinator that you are comfortable with, and ask for references. In addition, see what sort of insurance your tour operator provides.  At Pro Musica, we offer a comprehensive package for students that includes cancellation insurance due to illness, protection against trip cancellation due to terrorism, and even protection from the default of a travel provider.  As some very prominent tour companies and airlines have gone bankrupt in recent years, this sort of insurance can provide additional peace of mind for parents, principals and school boards.  (Offering this sort of coverage doesn’t imply that a company is not secure; rather, it means the company is looking out for its clients best interests regardless of what might unexpectedly happen down the road.)  If the tour operator you are working with doesn’t offer you the peace of mind you need, look into other options.
  6. Shop around! If you are considering traveling anywhere, you will likely get quotations from different tour companies.  Compare those proposals, and if they do not contain enough detail (i.e. specific hotel, shows, seating location, tour details etc.) insist on getting that information in writing.  If a tour operator cannot or will not provide you with this detail, you cannot really compare one quote to another.

There is no reason to be unpleasantly surprised at any time during your tour.  A good tour operator knows your destination and bends over backwards to give you what you want.  At the same time, a good tour operator doesn’t make false promises. If something is pending in your itinerary, that should be completely clear. Pending items should also have some qualifications and not be completely up to the discretion of the tour operator. During the planning and contracting stage for a group tour, there is no reason that you should not feel completely confident about what your group is going to get for their money.  If you have doubts or questions, get answers to those questions and erase the doubts. If you can’t get the answers you need – look elsewhere!